Deuxième Sonate pour Flûte, Alto et Harpe
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Brief Explanation :
The quantity of Debussy's chamber works are extremely small and most of
them were written in his last years. Perhaps, the largest reason is because
of his conception of 'six sonatas'. He planned to complete the series of
six sonatas consisting of different instrumental setting for each. We can
be sure he intended to do it from the beginning because he wrote down 'six
sonates pour divers instruments, composées par Claude Debussy, musicien
français (six sonatas for various instruments)' on the front page
of his first sonata score. He composed 'sonata for cello (1'st)' and 'sonata
for flute, viola and harp (2'nd)' at first in 1915. Next, he completed
'violin sonata (3'rd)' in 1917. Then, he planned to write 3 more sonatas:
'for oboe, horn and cembalo (4'th)', 'trumpet, clarinet, basson and piano
(5'th)' and 'doublebass with some instruments (6'th)'. However, the latter
3 sonatas was never completed because of the composer's death. This is
the second sonata of the six sonatas with the largest formation and can
be characterized in its soft and elegant atmosphere. At first, Debussy
seemed to form the ensemble by oboe (not viola) but the 2 winds ensemble
was carefully avoided. Also, he largely adopted Franckistic circulatory
form. It is appear that he intended to attach importance to archaic manners
and taste. In fact, Debussy once described 'pastorale' as 'this sounds
like me of 'Nocturne' era'. The suite was published in 1916 and was given
the first performance in April of 1917, immediately after the first performance
of his first sonata for cello. (2003© K.S.) |
Composition / Publishing Date | September to October in 1915. published in 1916 from ed. Durand. | ||||
Form | Flute, Viola and Harp | ||||
Duration | about 17 min. | ||||
1'st Performance |
21th of April in 1917. In a periodic concert of Independent Music Association, Paris. Pierre Jamet (harp) Manouvrier (flute) Jarecki (viola) * The first names of the latter two performers are unclear because the record is too rough (published by Durand : 1962) | ||||
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